These chords have been supplied (indirectly) by the tremendous Willy Zygier. They were kindly made available for this site by Lisa J Young.
Author Archives: wzdc
I’m Not Satisfied Chords
These chords have been supplied (indirectly) by the tremendous Willy Zygier. They were kindly made available for this site by Lisa J Young.
Today I Am A Daisy Chords
These chords have been supplied (indirectly) by the tremendous Willy Zygier. They were kindly made available for this site by Lisa J Young.
She Prefers Fire Chords
Last To Know Chords
These chords from Tim Hackett.
Man Overboard Chords

These chords provided by Tim Hackett who said
These chords are based on my best assessment of Willy Zygier’s
rather funky acoustic rendition of “Man Overboard”, minus the
introduction and clever bits in the middle. The sample bar of G7 is a
rather complicated way of representing the rhythm he uses. If it
comes across as an unintelligible schmozzle, don’t worry, it’s not
you. But it might make some sense if you’ve actually heard him play
it.If fans have chords they have pieced together, please send them in to be included on this site. All chords may be printed for personal use but MAY NOT be redistributed by any means what so ever.
In April Chords
Deborah Conway (EMI Music)
This is just the easy chord version to “in april”. The words are from the cover of the “seven deadly sins” soundtrack & the chords are from that recording as well.
Chords:
(capo 4 in brackets)
verse (each line is
B / / / F# / E / B / / / F# / E /
(G) (D) (C) (G) (D) (C)
chorus
F# / / / E / / / F# / / / E / / /
(D) (C) (D) (C)
F# / / / E / / / F# / / / E / / /
(D) (C) (D) (C)
B / / / F# / E / B / / / F# / E /
(G) (D) (C) (G) (D) (C)
Words:
Verse:
Hello you it’s ten to one in the morning
I don’t know what time that makes it over there
I haven’t figured it out yet Cos we just turned the clocks back
And it gets so complicated I lose track
Maybe you been away
Looking at churches again
I guess you probably seen ’em all by now
I was feeling the need for Something a little bit more
In your line of bad jokes and sweet talk
Chorus:
And I miss you
And i’m thinking of you
And I know I’ve tried before
But you didn’t return my phone calls
Verse:
I been out on the town
And yes i’ve been drinking again
Yes we both know it makes me emotional
But did you get the letter i sent are you keeping up with your rent
So many stupid questions running round my head
Chorus:
And I miss you
And i’m thinking of you
And I know I’ve tried before
But you didn’t return my phone calls
Verse:
Well i’m gonna lie down
Close my eyes and imagine
That you’re standing right here listening to this
Why don’t you pick up the phone Quit pretending that you’re not home
Oooh baby I just can’t let you alone
Chorus:
And I miss you
And i’m thinking of you
And I know I’ve tried before
But you didn’t return my phone calls
I know it’s over now
I know ‘coz i talked to your friends
But there’s just one thing
Why don’t you return my phone calls
Glory Ordinary Day Chords
Conway/Simon Austin 1999
These chords were worked out by Tim Hackett who said :
Glory Ordinary Day is in 4 time and I’ve put in some chords for first
part of the verse that sort of fit in with what the bass does. Otherwise
you could do it as per the recording by picking out the melody on the G
string and using the D string as a drone.
Verse
| Bm | A G | D | D | Bm | A G | D | D |
| Gm | Dmaj7 C7 | D7 | D7 | Gm | Dmaj7 C7 |
| Gmaj7 | F# | Gmaj7 | F# |
Chorus
| G A | A D | G A | A D | G A | A Bm | F# |
| G A | (Ends on a D)

House Party – 13 August 2004
I wanted to say a huge thank-you to everyone who bought cd’s to enable the house party to happen. Especially the interstate contingent! And huge thanks to Viv for talking her friends into hosting the evening, and to Peter & Glenda themselves for inviting us in… and to Deborah & Willy for playing.
There hasn’t been a review of the evening posted, so I thought I’d give it a whirl.
First, I was late. Not a huge surprise to anyone who knows me. My excuse was football training. At 7:45pm I was running around in the cold rain… ten minutes later I was picking up my girlfriend from the station, and about 10 minutes after that we were standing on the doorstep of a house in Northcote hoping we had the right address.
We were welcomed in by a crew of youngsters, who proceeded to show us their dolls then disappear into a side room. We tracked the party down in the lounge (It was easy to find – I could see Mark). It was fabulous to see people again… Tim, Julie, Mark and Nikki (with gorgeous tot in tow). I’ve probably left people out, but that always happens.
My timing was impeccable of course – just time to get a drink before Deborah and Willy came on stage. Oops, I mean before they moved from the other half of the room, sat down, and encouraged people to move closer. Mark and Tim eagerly sat on the floor at their feet… I think Tim was making sure he saw every note Willy played.
First item was an explanation about how they came to be in the suburban lounge playing for us all… explaining about sales, record companies, etc… and the new strategy of walking into peoples homes and playing.
Um, songlist… I hadn’t heard the album, and don’t have it with me now, so this will be vague.
*Accidents happen in the home.
*The Ikea song – (I saw lots of smiles around the room as people remembered their own DIY experiences. Made me grin because I love putting those things together. No wonder people thing I’m strange!)
*Um… another song that Deborah forgot the first line of… Mark had to prompt her.
Um… guess I don’t know these songs so well yet!
The point is that the songs were great… the crowd was lovely. The lounge ambience was amazing – so intimate!
Anyway, I really only wanted to say what a fabulous night it was… and say thanks to all those who so greatly deserve it.
Rach
Summertown (2004)
- Stay On Track
- Accidents Happen In The Home
- Any Fool
- Try To Save Your Song
- Something’s Right
- Sunday Morning
- One Chance
- Sleepwalker
- I Love You But
- It Doesn’t Work That Way
- Heartache
- Here And Now
Musicians: Deborah Conway, Willy Zygier, Gerry Hale, James Black, Shannon Birchall
Additional musicians: Dave Williams, Toni Collette, Paul Kelly, Kim Wheeler, Michael Barker.
Produced by Willy Zygier and Deborah Conway. Co-produced by Gerry Hale.
Something’s Right, video
Something’s Right
[audio:https://www.deborahconway.com/wp-content/uploads/2010/04/SomethingsRight.mp3]Heartache
[audio:https://www.deborahconway.com/wp-content/uploads/2010/04/Heartache.mp3]
Summertown
About Summertown
The last 3 albums had revolved around making music out of essentially non-musical components, (not that there’s anything wrong with that) but when it came time to do it again, I don’t know – I guess we had both gotten tired of torturing electric guitars and using atonal samples. Those sounds seemed everywhere.
We started talking about songs we liked from a pre-electronic era; artists like Simon and Garfunkle, The Mammas and the Pappas, Jimmy Webb, James Taylor & Carole King all came up in our conversations along with many others. We didn’t want to recreate them (as if we could) but we wanted to evoke that spirit, that approach to song-craft; beautifully realised verses, choruses and bridges that seem to have always belonged together even before they came into being. Also a certain gentleness and warmth that we hadn’t explored seemed like the path that was beckoning. We’ve been angst, brittle, pissed off and depressed, let’s give peace a chance.
During the writing period for this album, I broke my arm. I got some good material out of it but it severely cramped my guitar playing and confined Willy to rhythm only. This had its own knock-on effects for Gerry Hale (mandolin, cittern, fiddle, slide, Dobro, charango etc) and James Black (piano & organ) and the amount and intricacy of the various parts on the record. In the end maybe it was a bonus, forcing us to comply with our blueprint to simplify.
We expressly wanted to make an acoustic record and upright bass was the obvious route to take. Shannon Birchall (moonlighting from The John Butler Trio) brought a big, fat, warm, bottom end to the project, while Michael Barker (also from JBT) on percussion and Dave Williams (from Augie March) on drums put the engine into it.
With the vocal talents of Paul Kelly, singing a duet on “It Doesn’t Work That Way” – an examination of gender delineations as filtered through an IKEA experience; and Toni Collette trilling on Sunday Morning in the perfect counterpoint of girly vocals, we found two more outstanding contributors to Summertown.
In some ways Summertown sounds like my most mature record to date, ironic given the circumstances it was recorded in. My parents announced they were going on a cruise for a couple of months, leaving an empty house. I knew the answer would have been ‘no’ if I’d asked, but the thing is nature abhors a vacuum. They departed at 12.30 on October 6th – at 1.30 we had started loading in a van full of gear and set up a studio in their lounge and dining rooms. It’s unlikely at this point in life to get the kind of frisson usually reserved for 14 year olds deliberately disobeying their parents, but I have to say it was a sweet feeling and the vitality of youth flowed in the blood of all the tracks we subsequently put down.
– Deborah Conway and Willy Zygier
Summertown
Summertown
Deborah and Willy’s brand new album, Summertown, is in stores now. For all sorts of information like the track listing, Deborah and Willy’s introduction to the album, and the opportunity to have them play in your own home see the Summertown page.
You can buy the album from the online shop, in normal shops, or look for a show near you.
If you would like to listen to a track you can download all of Here and Now or else listen to 30 seconds of each song.
Buy Summertown Online
For delivery within Australia. $US22 (about $A30) includes postage for this item and GST.
For delivery outside Australia. $US24 (about $A33) includes postage for this item.
Mail Sent
Your message has been sent to Deborah Conway’s Management.
Put A Fucking 12 String On It
RIP Warren Zevon, Johnny Cash, Robert Palmer, Slim Dusty and now Elliot Smith, 34, found dead in his Los Angeles home yesterday, apparently from a self-inflicted fatal stab wound to the chest. He made some fantastic records but I was looking forward to the next one he was going to make. Joni Mitchell said depression is the sand from which the next pearl comes. I guess Elliot didn
Pizza
Eddie and Jo are not car salesmen. This was my first assumption, having met them on the first of 2 nights of this shindig we were hired to play at, to launch a luxury car. No, Eddie and Jo, who introduced themselves to me as I muddled my way through the 500 strong crowd in Port Melbourne on Wednesday evening, were in the $2.00 shop business.
Eddie: Deborah, Deborah Conway? I am a huge fan, you
Wednesday October 15th 2003
As I write this I can hear from the other room the deep mellow twang of a double bass played by Shannon Birchall – moonlighting with me, his real gig is with the John Butler Trio. A fine player with a beautiful sound. We
Friday October 10th 2003
I’m back and I’m recording. Outside the sky is blue but I know the wind is cold and the temperature is closer to 10 than 20. We’ve been here at this as yet undiclosable location, since Monday when we loaded in the gear. Tuesday the band joined us to start pre-production.The fire in the living/rehearsal room roars but does not burn the logs made of some indestructible substance.
We have 18 songs although that’s a bit of a cheat as one of them is It’s Only A Dream from MTH. This band does a fine version of it which I’ve wanted to record but also I liked it on my list cos it helped to fill out the new songs in the preliminary weeks of writing. Don’t need it anymore. I’m full of songs and full of cheer.
Daylesford beckons with icy winds and warm crowds, tonight we play in the Palais at Hepburn Springs. Last time we played, there folk were doing strip tease dancing on the laminated table tops, as Mark O’Meara is my witness.
Only The Bones #1 (2002)

photo: Pierre Baroni
Only The Bones #2 (2002)

photo: Pierre Baroni
Only The Bones #3 (2002)

photo: Pierre Baroni
Only The Bones #4 (2002)

photo: Pierre Baroni
Only The Bones #5 (2002)

The Women At The Well (2002)

- Bic Runga – The Gift That Keeps On Giving
- Renee Geyer – You Broke A Beautiful Thing
- Deborah Conway – Everybody Wants To Touch Me
- Chrissy Amphlett – Before Too Long
- Lash – Dumb Things
- Vika & Linda – Be Careful What You Pray For
- Christine Anu – Beat Of Your Heart
- Kate Ceberano – There’s Nothing Wrong With Being Wrong Sometimes
- Rebecca Barnard – She’s Rare
- Angie Hart – Careless
- Renee Geyer – Killer Lover
- Magic Dirt – Darling It Hurts
- Vika & Linda – 99 Years
- Jenny Morris – Beggar On The Street Of Love
- Anne Kirkpatrick – Cradle Of Love
- Kasey Chambers – Everything’s Turning To White
Press Release
On May 13th, a new collection of Paul Kelly songs will be released.
This is not a new Paul Kelly album. Nor is it simply a compilation of previously existing tracks.
The Women At The Well features 16 tracks and 14 brilliant female vocalists, performing songs written by Paul Kelly, our finest songwriter.
Some of the songs come from existing recordings, but the majority of the tracks on the album are brand new recordings, with most specifically recorded for this project.
The songs range from treasured classics (Careless, Everything’s Turning To White) through to brand new songs, so recently penned they are practically still glistening (The Gift That Keeps On Giving). Some songs have appeared Paul Kelly albums. Many of them have never been recorded by Paul. Some were written for specific women, while others were just songs which blossomed under a female interpretation.
The Women At The Well. On sale May 13th.
“Late last year tapes started arriving sporadically in my letterbox. They all contained one song and each one was sung by a woman. Every song was familiar but also strangely not. Some were gentle, some were harsh, some were country, some funky. Some were surprising while others were what I always imagined they should be. They give me a thrill in a way none of my recordings do. And they make me proud to be associated with such wonderful, expressive singers. I write songs for women because they ask me to and because it’s fun. I don’t know what it’s like to be a woman but I know some of the things they say.” pk
Only The Bones (Deborah Conway’s Greatest Hits)
This album contains tracks from all Deborah Conway albums and was released on July 17th, 2002.
This album is also available with different artwork under the name The Definitive Deborah Conway for reasons that make perfect sense to the record company.
- Man Overboard
- It’s Only The Beginning
- Release Me
- White Roses
- Alive and Brilliant
- Today I Am a Daisy
- She Prefers Fire
- 3 Love
- Only The Bones (will show)
- All Of The Above
- Here In My Arms
- Radio Loves This
- Never Far Away
- Exquiste Stereo
- Walking After Midnight
- Sweet Dreams
- Everybody Wants To Touch Me
- It’s Only The Beginning (Show Us Your Hits Mix)
Saturday December 8th 2001
And my excuse for not doing this more often? Hopeless, truly hopeless, but I blame the computer. I know, the good workman never blames his tools, but I always thought that was bullshit, how can you make a good sushi roll with a blunt knife and how can you sit down to blog when all you want to do is hurl your Macintosh Powerbook 5300c out of the window!
Anyway this is the last blog, it is the last dying breaths of the show. We are still at Sydney s Star Casino, for those who ve just joined, and have been here 5 weeks. We ve clocked up well over 100 shows over 6 months, made lots of punters weep, laugh, tap their feet and buy copies of PC, Exquisite Stereo and even MTH. I have added at least 2 notes to the bottom of my register, (look out for them on the next release) made a bunch of new pals, imbibed lots of margheritas and sparkling shiraz (I m over that phase now); read piles of books; seen a few movies (all Australian I realised yesterday); swam or walked miles, depending on the facilities; slept 8 gorgeous uninterrupted hours every single night no matter what time I went to bed (that will be the hardest thing to relinquish); and have become very accustomed to Housekeeping and the Please Make Up My Room ritual. Plus I ve been lauded and applauded in 5 states, who couldn t get used to this?
But now the party s over, time to call it a day, la la la la la la etc.
There will be an awards night on Sunday with everyone getting an award for something. I nominated myself for Most Improved In Heels, I think I m a shoe in. It has been my greatest challenge throughout the season, how to carry myself gracefully in monstrous 6 inch heels, while traversing the stage in the emotional walk halfway through Crazy. Yeek, I can t tell you how many times I ve nearly toppled. I think the answer is speed, you can t slow down past a certain point or all is lost, kind of like the famous film noir piece (forgotten the name of it) about carrying a load of TNT across a rutted road, the trick was to go at a speed that carried them over the ruts more or less like a hovercraft; so now that s me, Hovercraft Conway, smooth but rapid.
There have been a few moments when I ve wanted to kill someone, (no names) but they pass, and a few shows when I have been bored out of my tiny Cline mind, but I worked them out, threw myself back into the songs, buried myself in the emotion of them and it s impossible to be bored, the show whizzes past. Now there are 3 left, 2 of them today and I have a virus, fallen at the finishing line, q elle bore (as Mr. Ratti would say). But I power on with the assistance of chemicals and force of will. Anyway maybe it s a blessing since I m so busy concentrating on summoning my voice to do my bidding that I have no time to mourn this passing.
God save Cline, long live Conway….
Thankyou bloggees, especially to Mr. O Meara for being the willing conduit
Thursday October 18th 2001
My lovely dresser has left to do another show with this company, “Oh What A Night” otherwise known in certain circles as Oh What A Nightmare. Anyway he’s gone with a big send off, a BBQ and party that apparently lasted close to 23 hours of solid alcohol consumption. (I had dutifully flown home to change bed linen etc so missed out on the collective hangover.) He will be sorely missed; a man at the centre of every post show gathering and an impeccable source of information for those unable to attend. His raised eyebrows, and ear waggling will leave a large hole in my nightly routine.
Goodbye nanna.
A well kept secret from even locals was last weeks CHOGM cultural gathering. Yes even though the heads of state all stayed home, the ancillary event took place as planned. All us Patsies breathed a sigh of relief when CHOGM got called off, it would have meant running the security gauntlet of Brisbane’s finest and we all know how scary that could be. You see the theatre and the hotel are in the same street a short walk apart, but in between is the CHOGM building. Even with a few folk running about in grass skirts and exotic head gear, the boys in blue were gathered in numbers, the real thing would have been like being stuck in an episode of Miami Vice.
One day I wandered in there with one of the Curvaceous Bobettes (Ginger, for those in the know) in tow. We checked out the wares from New Guinea, Fiji, and The Bahamas, I had my photo taken dozing off at The Women In Action stand and Ginger and I played with all the toys in the science section. Hearing music form the other end of the hall we got down to the stage area where we were treated to a Tongan traditional song about what can happen if you’re up a creek without a paddle.
Today the sun shines again after a full on rainstorm yesterday, Brisbane is looking very glamorous and I’m going for a swim.
DC
Thursday October 11th 2001
Patsy’s in Brisbane, at the Playhouse Theatre. We opened last week to more rapturous reviews and packed houses. This is the longest season so far, we’re here for 5 weeks; it seems a bit excessive to me but I guess Queensland is the country music capital of Australia.
I had two weeks off in Melbourne after Adelaide wound up, and plunged back into the real world of bottom, floor and nose wiping, school lunches, school drop-offs, early morning wake-ups, late night wake-ups, later night wake-ups, tidying up (always the same things ad infinitum) and washing on an industrial scale. I’m telling you it’s a shock going from that to the red carpet treatment I’ve been getting since I got up here. Maybe this is the real Cinderella syndrome! Who waved that magic wand that suddenly put me on a business class flight to a sunny warm climate, with a 2 bedroom apartment to myself that someone else tidies up, a complimentary Mercedes, an Olympic pool up the road with no one ever in it, adoring audiences who hang on my every note and as much sleep as I can handle. Thankfully, every Sunday after the show I bundle back on to a plane and fly home to do some washing, bottom wiping, not much sleeping and a bit of hugging. It’s like a decompression chamber to readjust to civilian life when the clock strikes midnight on the 16th of December.
We’ve just done our 50th show and everything’s running so smoothly I barely notice I’m on stage. We have 3 new Jordinaires, local Brisbane boys who fitted into the suits. And the other big news is the poster dress got dropped! Yes folks, the pink sparkly, glittery fitted frock I wore for the finale and that is currently gracing the eastern wall of the Performing Arts Centre in the 2nd biggest photo of me I’ve ever seen, has been booted out in favour of the opening gold number, apparently it’s more flattering, i.e. I don’t look so fat in it.
So that’s it, the world has changed since I last blogged, but the show must go on. The 12th of September was a particularly difficult performance, one woman down the front wept for almost the entire evening; we played our bums off anyway. When we got to Patsy’s plane crash I don’t think there was a dry eye in the house. But we kept it together for the sake of music lovers everywhere. Then we got to go home and weep too.
dc
Sunday September 9th 2001
I
Thursday August 23rd 2001
Man I
The Songs Of Patsy Cline (2001)

Buy a signed copy from the Deborah Conway Shop
- I Fall to Pieces
- Back in Baby’s Arms
- Crazy
- Sweet Dreams (of You)
- Lovesick Blues
- Eyes of a Child
- So Wrong
- Your Cheating Heart
- Walking After Midnight
- She’s Got You
This album was made while Deborah was in the stage show of Always…Patsy Cline. It is not the recording from the show itself but rather some traditional and some new takes on Patsy Cline songs.
The album was sold at the shows of Always…Patsy Cline and is available in the Deborah Conway Shop
Monday 20th August 2001
Gosh its been a long time since I sat down and blogged. There is a simple
explanation for that. I was in Melbourne. Ah yes you may recall that heady
missive I tapped out after the first preview and before the big opening
night; and then nothing more
Thursday 19th July 2001
We previewed tonight at the State Theatre in Melbourne and it was huge.
Packed to the rafters with happy punters, feels real good to be home
too. They were a perfectly irreverent audience, unafraid to call out in
the quiet moments, cat calls and whistling and yes, finally a bit of a
standing ovation. Hey, I’m very grateful, you lovely people who stood up
tonight saved us from our producer who’s been chomping at the bit to
change the ending, which I’ve always thought was just fine.
It’s bigger than Ben Hur now with the addition of 4 Jordinaires (they
always travel in fours) and a ten piece string section that all seem to
pop out of the cupboard when I sing Crazy in Louise’s kitchen; I guess
they’re all squashed in there with the 6 piece band and the girlie
backing group. Aahh poetic license, it works though, nothing like real
strings to get me going.
And it was excellent to see a Bitch Lister right down in the front row
centre! Any closer and you would have been up with me. Well done Julie.
Tomorrow we open officially. They’ll always be a tougher crowd, the ones who don’t pay for their tickets, but, there will be champagne later and lots of flowers and all my family and friends and love in the room.
Until then good night and sweet dreams
dc
15th July 2001
We have migrated north to Newcastle. Canberra was excellent for sliding into the routine, though I
15th July 2001
I should have posted days ago, God knows I tried, really I did, but the server was asking for numbers that I simply didn
Friday July 6th 2001
A grey wintry day in our nations capitol but in my world the light is blinding. Dear readers I didn
Thursday 5th July 2001
Good morning everyone, it’s another fine day in our nations capitol, blue sky, dew still white on the grass outside my window, long early shadows and just a few heavily dressed people going about their business.
I know I’m digressing from the real plot but Canberra really is a peculiar place, confused maybe. It kind of wants to be a village but with the dimensions of a suburban sprawl; then it has all the trappings of the seat of power of a small nation, but no buzz like anything actually happens here. For instance there is nothing that betrays the existence of a major shopping centre to anyone more than 30 metres from it’s portals. I mean perhaps I’m just hopelessly unobservant but I’ve been to this town a zillion times and stayed in this hotel on a number of visits and I’ve never noticed the Canberra Civic shopping mall (with Grace Bros AND David Jones AND a serious supermarket, not to mention all the other mall standards) literally across the road, so carefully is it camouflaged. Is this where modern capitalism is heading? The circle is being drawn, it all feels strangely reminiscent of my visit to East Berlin in 1986, without the bullet holes of course. Don’t get me wrong, I like it, it challenges my preconceived ideas about prerequisites for fun.
Blah, blah, blah…
But back to the theatre. We knocked off at 11.00 last night and my feet were mashy pieces of pulp. I am in the service of rampant shoe fetishists let loose on this production who tell me that Patsy wore heels even when she was doing the ironing. But I put my foot down (excuse the pun) when he wanted to put me in high heel slippers; I
Tuesday July 3rd 2001
Howdy everybody! I sure am happy to be with y’all and blogging at last; big thanks to my tremendous technical team here for getting me this far.
And so begins the adventures of Deborah the thespian, Patsy the singin’ cowgirl and the unfolding dramas of life on the road with the musical extravaganza that is “Always… Patsy Cline”.
We have been rehearsing in Melbourne for the last 3 weeks, not so long in the scheme of things,and are about to be let loose in a proper theatre in our nations capital. We open on Thursday and between now and then we have to jump many hurdles. Whether to inner ear monitor or not, how to handle heels, coping with wigs, costume changing in 75 seconds, not to mention dealing with my now infamous lyric forgetfulness. Comfortingly I have proof that the singin’ cowgirl was not perfect in this area either. (Hmm, perhaps I should add that to the list of things Patsy and I have in common in my next interview.)
I’m enjoying it all. I am a tourist in the world of employment, resting from the harsh brutalities of self-employment, hiding behind another character but still standing on a stage in a spotlight.
Even the hotel windows open and the pillows are feather. Life is almost perfect, if only I hadn’t discovered I had lice (courtesy of Alma) an hour and a half before I got on the plane… damn I hate sharing the spotlight.
Cover of the Melbourne Weekly

Exquisite Stereo single (2001)

- exquisite stereo (alex lloyd version)
- exquisite stereo (album version)
- feathers in my mouth
- this loves radio
tracks 3 and 4 were also on the She’s Coming for It single which never got a proper release.
Willy, Deborah and Cameron (2001)
Photo by David Gilliver of the Gstring site. It is used with permission and may not be copied without David’s say so.
Willy Zygier the Comedian (2001)
Photo by David Gilliver of the Gstring site. It is used with permission and may not be copied without David’s say so.
Deborah Lets Loose (2001)
Photo by David Gilliver of the Gstring site. It is used with permission and may not be copied without David’s say so.
Telling Secrets (2001)
Photo by David Gilliver of the Gstring site. It is used with permission and may not be copied without David’s say so.
Willy and Deborah (2001)
Photo by David Gilliver of the Gstring site. It is used with permission and may not be copied without David’s say so.
Having A Sing (2001)
Photo by David Gilliver of the Gstring site. It is used with permission and may not be copied without David’s say so.
Willy Goes All Rock (2001)
Photo by David Gilliver of the Gstring site. It is used with permission and may not be copied without David’s say so.
Is That A Camera? (2001)
Photo by David Gilliver of the Gstring site. It is used with permission and may not be copied without David’s say so.
Looking Bored (2001)
Photo by David Gilliver of the Gstring site. It is used with permission and may not be copied without David’s say so.
Deborah and Rebecca Signing Stuff (2000)
This photo was taken in Frankston by David Gilliver of the Gstring site. It is used with permission and may not be copied without David’s say so.
Rebecca, Willy and Deborah singing (2000)
This photo was taken in Frankston by David Gilliver of the Gstring site. It is used with permission and may not be copied without David’ say so.
Merchandising (2000)
This photo was taken in Frankston by David Gilliver of the Gstring site. It is used with permission and may not be copied without David’s say so.